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Mirror, Mirror on the Brick Phone: Feminist interventions in beauty standards, part 1 - the twentieth century
In art history, and Western society in general, external beauty is equated with moral, social, economic and political success, with the qualifying features for what is considered beautiful being determined by, and for, the male gaze. Given that art’s spectator is presumed to always be a man, his idyllic gaze is pandered to in artworks that, to be considered art, must always agree with his definition of beauty. It is for this reason that in portraits of men, beauty is drawn fr
Bryleigh Pierce
13 min read


Exploring Kandinsky: Synesthetic genius and father of Abstraction
Russian artist Wassily Kandinsky (1866-1944) is often credited with making the single artistic breakthrough that led to total abstraction...
Bryleigh Pierce
21 min read


Portraits and Portrayals: Using Wealth as Power to Control What Art Historicises
Art is a powerful force. Whether you love it, hate it or are entirely indifferent, art is a reflection of who we are. Such a reflection...
Bryleigh Pierce
13 min read


Appreciating Great Art and Acknowledging the Artists Problematic Behaviour Are Not Mutually Exclusive
Art history is full of prodigies and genius’ and while their achievements may have been great and their art may have been revolutionary,...
Bryleigh Pierce
7 min read


Benin and Ethiopian Looted Artefacts in the British Museum
Organisations like the Monuments Men were tasked with finding and returning artworks and artefacts stolen by invading Nazi forces during...
Bryleigh Pierce
4 min read


Violence: Peripheral idiosyncrasy or the axis of interpretation
It is no secret that artists find inspiration in the trials and tribulations of their lives, and while this is true throughout history,...
Bryleigh Pierce
9 min read
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