Baroque

Flourishing from the early sixteenth century until the mid-eighteenth century, the Baroque movement extended beyond the visual arts to encompass music, poetry, architecture, literature and theatre. Through its dynamic compositions and dramatic intensity, art of this period sought to evoke awe and passion by engaging the viewer emotionally, transforming artistic expression into a vivid experience of power and spirituality.
The opulence of the Baroque was encouraged by the Catholic Church during the Counter-Reformation in a deliberate response to the austerity of Protestant art. Through monumental architecture, dramatic religious imagery and theatrical staging, the Church sought to inspire faith and assert its authority. Baroque art thus reflects not only artistic innovation but also the political and religious currents that shaped Europe in this period.
Within this milieu of splendour and intensity, a number of women emerged in the art world. Artemisia Gentileschi (1593 - 1653), one of the most renowned painters of the era, brought a distinctly female perspective to Baroque themes, infusing her biblical and mythological heroines with courage and agency.
In the Netherlands, Clara Peeters (1594 - ?), a pioneering still-life painter from Flanders, mastered the depiction of reflective surfaces and intricate detail, often inserting her own image into her compositions in a quiet assertion of identity in a male-dominated field.
In England, Mary Beale (1633 - 1699) pioneered the support-system self-portrait and challenged social convention alongside her husband, who was the primary caregiver for their children, ran her business and acted as her studio assistant, allowing her to focus entirely on her art. Her 1663 manuscript Observations, is the earliest known instructional text in English written by a female painter.
Also in Italy, Elisabetta Sirani (1638 - 1665) not only created a prolific body of expressive religious and mythological paintings, but also founded an art academy to train other women, advancing opportunities for her female contemporaries and those who came after.
The Baroque period occupies a crucial position in the history of art, representing a moment of profound creativity and transformation, where art became a means of stirring the viewer’s senses and spirit. For women, it was also a time of assertion and resilience, a moment when their talents, though often constrained by convention, helped to expand the emotional and intellectual boundaries of the movement itself.
Mary Beale, Self-Portrait of Mary Beale with Her Husband and Son (1663-64). Oil on canvas, 60.2 x 74 cm. Museum of the Home, London, U.K.