Mary Beale
- Bryleigh Pierce
- Oct 8, 2025
- 2 min read
Updated: Dec 29, 2025
(England, 26/03/1633 - 08/10/1699)

Not only was Beale one of the first women to work as a professional artist in Britain, but is also the first woman we know of to write about art, having published Observations by MB, in 1663. This 250-word directive for how to best paint apricots made her the author of one of the earliest pieces of writing focused on artistic techniques to have been published by an author of any gender in England.
Born Mary Craddock, her father was an amateur painter who taught his daughter to paint. This would be the only training she would ever receive, preferring to practice by copying the work of her contemporaries, particularly Peter Lely, as well as Italian and Dutch Golden Age Masters rather than attending any formal education or joining a guild. Lely frequently lent his paintings for Beale to copy, taking great interest in her work and frequently commending her talent.
After marrying Charles Beale, a cloth and paint merchant and amateur artist, he managed the financial and business aspects of her career, later acting as her studio assistant and taking responsibility for mixing her paints, preparing her canvases, keeping her accounts and running the household – a rarity at the time. Alleviated of these traditionally ‘female duties’, Beale was able to focus entirely on her art and gained immense popularity in her lifetime – in 1677 alone she received more than eighty commissions.
Known for her Baroque style, she possessed prodigious skills as a painter and an unmatched technical virtuosity as a colourist, skills she commanded with ease to create her illusions of lustrous jewels, glossy textiles and delicate lace.
In a time of rigid obstructions to women’s freedoms and autonomy, economic and political as well as artistic, the arc of Beale’s career from amateur painter to highly successful professional portraitist is a remarkable and a distinct achievement in the history of art.
Image: Mary Beale, Self-Portrait, Holding an Artist's Palette (c.1675). Oil on canvas, 45.7 x 38.1 cm. West Suffolk Heritage Service, U.K.


